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At the time there was a prejudice to country from pop radio towards Urban Cowboy. He produced “Lookin’ For Love,” (for Johnny Lee) and remembered “One In A Million.” It was the follow-up single and debuted at number 26 but it took a long time to get up the charts. “By the time I got into Nashville in ’78, Jim Ed had already had some major success producing Anne Murray. His claim to fame was being the keyboard player in Shylo, which was Don Henley’s first band, and arranging the strings for “Desperado.” He was just a kid hanging around the publishing company where I wrote. I knew Jim Ed Norman (the current president of Warner/Nashville) out there.
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I had “One In A Million” in my catalog in L.A. Either the label hears a different single or the timing is wrong. “There’s a lot of luck at play in songwriting,” Rains cautions. Rains is far too humble to say it, but many feel he’s written several of the modern classics in country music like Mickey Gilley’s “A Headache Tomorrow or Heartache Tonight,” Reba McEntire’s “Somebody Should Leave” and Janie Frickie’s “Down To My Last Broken Heart.” Recently he’s combined his experience with multi-talented singer and guitarist Wade Hayes for “Old Enough To Know Better,” and “I’m Still Dancin’ With You.” He had his first number one when Johnny Lee recorded “One In A Million.” I asked Rains if he would share some of his insight and experience.
#Stu stu stuttering song how to
He knows how to shape context and content into the form of a song with seamless perfection. He is a veteran and a master of the lyrical craft.
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He is a soft-spoken man with modest clothes (a Varsity style concert jacket and baseball hat) and an ’89 Honda Accord.Ī closer look reveals layers of intelligence that would scare off even the most confident Vanderbilt master’s degree graduate. His phrases flow from a basic emotional statement like the main idea in his lyrics. He speaks like his melodies, succinctly and directly. On the surface of things seem pretty straightforward. To talk to Chick Rains about songwriting is like listening to one of his songs. He is a soft-spoken man with modest clothes (a Varsity style concert jacket and baseball hat) and an ’89 Honda Accord.